Tuesday, March 31, 2015

PAPER JAM w/BRENT RIDGE - Eyewash @ Schema Projects, Brooklyn, NY









GINA BEAVERS


Gina Beavers, Basket of Carburetors, 2014

Gina Beavers, Body Builder Torso, 2013

Gina Beavers, Miss Ariel Cha's, 2014


Gina Beavers, Who has braces, 2014








JANET ECHELMAN - Lecture @ BU











Monday, March 23, 2015

PRETTY RAW: AFTER AND AROUND HELEN FRANKENTHALER @ The Rose Art Museum



Exhibition Install


Exhibition Install


Exhibition Install


Jaqueline Humphries, Untitled, 2005








IAN SCHNELLER and ANDREW BIRD – Sonic Arboretium @ ICA Boston


Sculptor Ian Schneller, Sound Andrew Bird







LINK




ANTON HENNING


Anton Henning









Thursday, March 19, 2015

BRENT RIDGE - NAC CLASSES 03.23.15





 Color: 
I've had some requests for approaching color as an exercise before we end our quick sessions.  So what I would suggest is to hit up your favorite paint/hardware store for some paint chips to use to as inspiration and reference for your color mixing.  You'll end up using between 2-4.  Expect to paint abstractly for structure or bring a photo/object for inspiration.  Make sure you have a good amount of white to use as a neutral and your sketchbook for experimentation.


Last Class:
This has been a funnnn short course but we are to the end.  These have been teasers for what you can develop with a longer contact with the great subject of painting and I hope you will want to continue your journey.  Get in contact with the office if you have not done so yet if you are indeed intending to continue.  See you next week!







Monday, March 16, 2015

STEVE NOVICK


Steve Novick


Steve Novick


Steve Novick


Steve Novick


Steve Novick









When the Stars Begin to Fall @ ICA Boston


Bessie Harvey


McArthur Binion


David Hammons


Thornton Dial


Beverly Buchanan


Beverly Buchanan


Thornton Dial


Joe Minter


Joe Minter










Thursday, March 12, 2015

BRENT RIDGE - NAC CLASSES 03.16.15


Paint it SOFT and Paint it HARD

Let's continue our individual projects and focus our paintings in the the terms of SOFT and HARD.
Why?  Because thinking in this way can free us toward a useful ends, letting our materials guide our journey.  Don't think too much – just move your way through the paint.

Here some examples of what I mean by SOFT:

Helen Frankenthaler

Jules Olitski


Here are some examples of HARD:

Johnathan Lasker

Joanne Greenbaum




See you next week




Wednesday, March 11, 2015

SOPHIA AINSLIE



 Sophia Ainslie, Wall Drawing, @ Montseratt, 2013




LINK




JENNIFER K MOSES


Jennifer K Moses


Jennifer K Moses










ANDREW MOWBRAY


Andrew Mowbray, Another Utopia, 2013


Andrew Mowbray, Implement for Studio Practice, 2011


Andrew Mowbray, untitled, 2005











LISA HAMILTON


Lisa Hamilton


Lisa Hamilton


Lisa Hamilton

Lisa Hamilton, Three Dimensional Study, 2011










BEN NICHOLSON


Ben Nicholson, Rising above the Peaks by Tullio Crali, 1938


Ben Nicholson, 10 November 1951, 1951


Ben Nicholson, still life - Alice through the looking glass, 1946


Ben Nicholson, Still Life, etching on paper, 1948


Ben Nicholson, Painted Relief, 1939









Friday, March 6, 2015

BRENT RIDGE - NAC CLASSES 03.09.15

Hello All

Last week we brought our individual directions and I want to encourage your discovery and journey in painting.  We spoke about the need for sketching to develop space in a painting.  Now I want to introduce a painter who brings energy and spontaneous mark-making: 

Jacqueline Humphries
She uses big gestures, layers, and contrasting kinds of marks or shapes to create compositions.  You could accomplish some big marks of paint with brushes or other types of tools like sponges, a paint roller, or even a squeegee (the hardware store has lots of inspirational tools).  She also uses tape to mask out lines and I will demo some use of these styles of tools in class.  In the meantime feast your eyes on her work below.



Jacqueline Humphries


Jacqueline Humphries

Jacqueline Humphries

Jacqueline Humphries


Jacqueline Humphries


Jacqueline Humphries



Bring your energy, your passion and I'll see you in class on Monday!
More Jacqueline Humphries





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About Me

Boston, MA, United States
I'm an artist originally from Flint, MI now residing in Boston, MA. In-between I practiced my art in NYC and overseas in Scotland. I've been using this blog to situate Boston art and artists amongst the International scene of contemporary art. You can find my art on www.brent-ridge.com