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| Elsi Giauque |
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| Alan Sheilds |
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| Eva Hesse |
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| Magdalena Abakanowicz |
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| Robert Rohm |
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| Lenore Tawney |
Saturday, December 6, 2014
A WORLD OF ITS OWN: PHOTOGRAPHIC PRACTICES IN THE STUDIO @ MOMA
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| Eileen Quinlan |
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| Dudley Lee, Chargesheimer and György Kepes |
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| Michele Abeles |
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| Walead Beshty |
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| Mariah Robertson |
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| Thomas Ruff |
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| Elad Lassry |
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| Mathew Barney |
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| Paul Outerbridge |
LINK
PEREZ ART MUSEUM - MIAMI
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| Pérez Art Museum |
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| Thomas Hirschhorn, Necklace CNN, 2002 |
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| William Cordova, untitled (the echo in nicolás guillén landrián's bolex), 2008-09 |
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| Robert Rauschenberg, Cardboard II, 1971 |
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| Elizabeth Murray, Up Dog, 1987-8 and Down Dog, 1988 |
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| Meschac Gaba, Souvenir Palace, Flag Hats, 2010 |
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| Gary Simmons, Frozen in Time, 2014 |
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| Gean Moreno and Ernesto Oroza, Drywood, 2013 |
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| Loriel Beltrán, Primitive Girls, 2012 |
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| Pérez Art Museum |
Friday, December 5, 2014
Monday, December 1, 2014
BRENT RIDGE - NAC CLASSES 12-1-12
We head into our final 2 weeks of the Fall term and we look to expand on our independent projects and uses of brush and alternative paint tools such as the squeegee and knife. There is another way of layering your process and that is using tape – as a device it can help keep your paint inside the lines but you can use it to create lines or juxtapositions of gesture and color. Here I have posted two images of Jacqueline Humphries with a link:
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| Jacqueline Humphries |
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| Jacqueline Humphries |
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