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| Janet Echelman, As If It Were Already Here, Boston Greenway Public Art Project |
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| Janet Echelman, As If It Were Already Here, Boston Greenway Public Art Project |
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| The new view from the High Line of the Whitney Museum |
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| busy in here |
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| Georgia O'Keeffe, Black and White, 1930 |
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| Rice Pereira, Boat Composite, 1932 |
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| Charles Demuth, My Egypt, 1927 |
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| Morton Schamberg, Untitled (Mechanical Abstraction), 1916 |
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| Man Ray, La Fortune, 1938 |
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| Jacob Lawrence, War Series: Shipping Out, 1947 |
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| Jacob Lawrence, War Series: Beachhead, 1947 |
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| Alfonso Ossorio, Number 14 - 1953, 1953 |
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| Hedda Sterne, New York, NY, 1955, 1955 |
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| Franz Kline, Mehoning, 1956 |
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| William de Kooning, Door to the River, 1960 |
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| Brice Marden, Summer Table, 1972-73 |
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| Keith Sonnier, Ba-O-Ba, Number 3, 1969 |
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| Rafael Ferrer, Neon Corner, 1970 |
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| Christina Ramberg, Istrian River Lady, 1974 |
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| Jim Nutt, She's Hit, 1967 |
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| H.C. Westermann, The Evil New War God (S.O.B.), 1958 |
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| Nam June Paik, Magnet TV, 1965 |
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| Andy Warhol, Before and After, 4, 1962 |
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| Jasper Johns, Three Flags, 1958 |
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| Marisol, Women and Dog, 1963-64 |
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| James Rosenquist, Broome Street Trucks After Herman Melville, 1963 |
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| Jay DeFeo, The Rose, 1958-66 |
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| Robert Rauchenberg, Satellite, 1955 |
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| Charles Ray, Boy, 1992 |
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| Sherrie Levine, Large Gold Knot: 1, 1987 |
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| Jeff Koons, New hoover Convertibles, Green, Blue, New Hoover Convertibles, Green, Blue Doubledecker, 1981-87 |
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| Peter Halley, Blue Cell with Triple Conduit, 1966 |
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| Robert Reed, Plum Nellie, Sea Stone, 1972 |
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| Jack Whitten, Sorcerer's Apprentice, 1974 |
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| Elizabeth Murray, Children Meeting, 1978 |
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| Lucas Samaras |
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| Corey Arcangel, Super Mario Clouds, 2002 |
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| Wade Guyton, Untitled, 2009 |
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| R. H. Quaytman, Distracting Distance, Chapter 16, 2010 |
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| Kelly Walker, Untitled, 2013 |
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| Dana Schutz, Building the Boat While Sailing, 2012 |
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| Rachel Harrison, Claude Levi-Strauss, 2007 |
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| Glen Ligon, Rückenfigur, 2009 |
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| Mary Heilmann, Sunset, 2015 |
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| Mary Heilmann, Sunset, 2015 |
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| Stuart Davis, Early American Landscape, 1925 |
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| Emma Lu Davis, Cock, 1932 |
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| John Sloan, Backyars, Greenwich Village, 1914 |
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| Edward Hopper, Le Bistro or The Wine Shop, 1909 |
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| Guy Pene Du Bois, Juliana Force at the Whitney Studio Club, 1921 |
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| the line |
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| The new Whitney view |