Let's continue our individual projects and focus our paintings in the the terms of SOFT and HARD.
Why? Because thinking in this way can free us toward a useful ends, letting our materials guide our journey. Don't think too much – just move your way through the paint.
Here some examples of what I mean by SOFT:
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| Helen Frankenthaler |
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| Jules Olitski |
Here are some examples of HARD:
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| Johnathan Lasker |
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| Joanne Greenbaum |
See you next week