Friday, December 20, 2013

FABIENNE LASSERRE @ Jeff Bailey Gallery


Fabienne Lasserre installation, 2013

Fabienne Lasserre installation, 2013


Fabienne Lasserre, Too, 2013




LINK




CYPRIEN GAILLARD: TODAY DIGGERS, TOMORROW DICKENS @ Gladstone Gallery


Cyprien Gaillard

Cyprien Gaillard

Cyprien Gaillard

Cyprien Gaillard

Cyprien Gaillard

Cyprien Gaillard









Monday, December 16, 2013

FRANÇOIS-XAVIER LALANNE BELIERS @ 24th Street and 10 Ave NYC


FRANÇOIS-XAVIER LALANNE BELIERS


FRANÇOIS-XAVIER LALANNE BELIERS


FRANÇOIS-XAVIER LALANNE BELIERS


FRANÇOIS-XAVIER LALANNE BELIERS





LINK




WALEAD BESHTY @ The Rose Art Museum


Walead Beshty, Untitled (Rose Art Museum, Brandeis University: Waltham, Massachusetts, February 12 - June 9, 2013), 2012


Walead Beshty, Untitled (Rose Art Museum, Brandeis University: Waltham, Massachusetts, February 12 - June 9, 2013), 2012


Walead Beshty, Untitled (Rose Art Museum, Brandeis University: Waltham, Massachusetts, February 12 - June 9, 2013), 2012


Walead Beshty, Untitled (Rose Art Museum, Brandeis University: Waltham, Massachusetts, February 12 - June 9, 2013), 2012

Walead Beshty, Untitled (Rose Art Museum, Brandeis University: Waltham, Massachusetts, February 12 - June 9, 2013), 2012









Thursday, December 12, 2013

Wednesday, December 11, 2013

BENJAMIN PRITCHARD @ Parallel Art Space


Benjamin Pritchard, Lucky lucky luck, 2013











SELF PORTRAIT - 1996


Brent Ridge, Self Portrait, 1996



LINK





Tuesday, December 10, 2013

RICHARD ALDRICH - Forget Your Dreams, All You Need Is Love @ Bortolimi


Richard Aldrich, 2013


Richard Aldrich, 2013


Richard Aldrich, installation of artwork


Richard Aldrich, installation of artwork


Richard Aldrich, 2013


Richard Aldrich, 2013


Richard Aldrich, 2013


Richard Aldrich, 2013





LINK






WAYNE STOKES - Studio Visit



Wayne Stokes, installation of works, 2013



BR: What is the relationship of dichotomy in your work? 
WS: Dichotomy seems so black and white. A concept that I think about in relation to my work is ambivalence which is about simultaneously having conflicting ideas and emotions about abstraction or representation, for instance.



BR: The material abstractions seem to inspire multiple rendered representations of the original abstraction, leading to new possibilities, could you speak about that? 
WS: The material process of applying the metallic foil is more of a distanced, hands off approach of making a painting. Then there are photos of the piece, the successive printouts and scans, the repainting the picture from those various sources. The "abstract" canvases go towards "representation" and vice versa. Once the process is in motion it can't be stilled, it isn't one thing. 


Wayne Stokes, installation of works, 2013


BR: What is your relationship to the flash and its painted form?
WS: The flash changes the appearance of the image on its own.  It is a form of visual feedback.  We are looking at pictures of pictures.

BR: How do you view these works as a series?  Does one image beget the next, and if so how are you making those decisions? 
WS: Yes one image is filtered through these different processes I mentioned above (photographing, printing, scanning, etc...) and informs the next. 




LINK




Friday, December 6, 2013

Thursday, December 5, 2013

NICHOLAS BUFFON


Nicholas Buffon, 
Say It With Flowers
, 2013


Nicholas Buffon, 
Gummy Stuff
, 2011


Nicholas Buffon, 
Flint Stoned
, 2011




LINK